Tuesday, March 7, 2017

Client Tell

Caricature artists are most often perceived as entertainers who ply their craft “live” at events, drawing customers at venues as varied as amusement parks, corporate events and wedding receptions.

While that’s a truism, it’s also just as likely that caricaturists are commissioned to do work for individuals as well as companies to gift a friend, family member or business associate.  After all, art is still art, no matter what “genre” it’s reflective of.  

But it doesn’t get any more personal or customized than through the ego gratifying form of portraiture…and a whimsical one at that.

Welcome to the first-month-of-Spring edition of Not Your Usual Caricature Artist, from Caricatures by Joel.

Here are several samples of commissioned art – clients who had me conceive and draw a caricature of a family member, client or colleague.

The one above is of a local jeweler who advertises frequently on  TV and in newspaper print ads. Friends of his surprised him on his birthday with his caricature.

The group, below, comprises a property management firm that was the marketing client of a friend of mine...who had me come up with this approach.




This couple was getting married, and the bride's mom wanted some fun artwork to double as both a "Save the Date" mailer prior to the event, and a Sign-in Board displayed at the reception...with a plug for the venue.


This time, here, the groom's mom listed all the elements she wanted displayed in this Sign-in Board -- notably her son having graduated from Firefighter training school.


Below s a Sign-In board for a Bat Mitzvah, depicting all her interests.



This Duke Energy piece was commissioned by them to honor their outgoing CEO, Jim Rogers, and depicts his immediate executive staff.



Harry Truman is one of several "Harrys" I was commissioned to further immortalize for the walls of Harry's Tavern & Grill in Charlotte.



Making a bride and groom Time magazine's Persons of The Year to grace this faux cover, used as a Sign-In Board at their reception.




This duffer is a client of an ad agency, who had me acknowledge his big birthday.



This young lady's mom contacted me to draw her as a memento of that major landmark in one's life -- high school graduation.



That's it for March. Tune in again the first Tuesday of next month for another client-directed foray into the realm of Not Your Usual Caricature Artist.

Monday, February 13, 2017

FAQ for a February

If you’re looking to hire yours truly for an event, surely there are questions you have about the whole caricaturing procedure.

Voila! Here are frequently asked questions and answers. 

(And don’t call me Shirley…)

Welcome to the February edition of Not Your Usual Caricature Artist from Caricatures by Joel.

How long does a caricature take?

Generally, a caricature drawing takes anywhere from 3-5 minutes per face (about 15 faces an hour). Which would mean two people would take twice that, and so on.

Do I draw everyone at an event?

It all depends on the number of guests…and the time that’s been allotted for me to draw.

Can I also draw from photos?

Yes, but I prefer not to draw from camera phone photos; they’re often not clear, too small, time out…and it’s generally not fair to those who are already there in person.  I will happily fill your request to draw from photos via a separate arrangement where it’s done from my studio.


Do I draw children as well as adults?

Of course! I draw kids at birthday parties, camp/school events, graduation parties, family reunions and, naturally, at weddings, bar/bat mitzvahs, etc.

What size paper do I use for the caricatures?

I use 11” × 14” sized paper. It’s a good surface size for drawing, especially if there is more than one individual, and it’s a standard size for framing and photocopying.

Do the caricatures smudge, run or smear?

Not generally. It’s best to just leave the drawing as is, though an option would be to spray it with a “Fixative” to further assure that it indeed won’t smudge, run or smear.

Do I do anything to the caricature drawing when done?

I insert each final drawing in a clear plastic sleeve for protection and ease of portability.

Is there usually a sign-up sheet or number system for getting drawn?

Most events tend to be on a “first-come-first-serve” basis. A line is formed once people realize that I’m drawing. This is generally pretty fair and the more popular option for weddings. However, some event planners prefer to designate someone that would help organize and maintain the order of those in line by using a sign-up sheet or number system.

Do I do full-body, “themed” caricatures?

I have found that just drawing the head works best at a well-attended event. The line moves more quickly that way and doesn’t get bogged down because of elaborate scenarios per each person.

Do I work alone?                                                                                                  
Usually, yes.  But if an extraordinarily large crowd is anticipated – whether it’s a private function or corporate event – I can bring in other artists to join me…anywhere from one to six or more.


What about color?

I draw only black-and-white caricatures for live events; it’s the same reasoning as for the full-body, themed issue.

How many people can be drawn together in one picture?

It works best (both in terms of quality and quantity) to limit the caricature drawing to no more than four subjects. That’s because with each new person there is an extra consideration in terms of composing the drawing, getting them to fit on the page. The fastest caricatures would then have no more than 2 people in them.

What materials do I use?

Unlike most other caricaturists who use a Sharpie pen, I use a common utensil often found in the kitchen, garage or work shed – a China Marker, or grease pencil. I like the tone, depth and texture the pencil provides.

Do I overly “exaggerate” in my caricature interpretation?

While, stereotypically, caricature artists are seen as over-emphasizing facial effects in a gross manner, I apply a “gentler” touch to make the face just more whimsical looking.

Is it okay for guests to photocopy their caricature for use beyond the event?

Yes, guests can make unlimited copies for private use.


What do I need from event organizers to accommodate my needs?


I bring all art materials to create the caricatures.  A table, three chairs – one for me and two for couples – and enough lighting in the area to see my subjects are all that the venue needs to provide. However, if the latter items are not available, I can provide my own, including a portable lamp.

And that's basically it.

Remember, I can work from photos, too. But that's another FAQ for another time.










See you again the first Tuesday of next month for another inquisitive iteration of Not Your Usual Caricature Artist.



Monday, January 2, 2017

Notable Losses in 2016

As we celebrate the beginning of a New Year, we pause to look back at 2016 for the many notable names who passed on. The list is too numerous to post, but suffice it to say many of these men and women made sizable enough contributions to culture and society to mark their indelible place in history.

Welcome to the New Year's edition of Not Your Usual Caricature Artist.

With significant status for these people comes fame.  With fame comes the chronicling of their actions. The media offers their commentary in words.  The artist offers it in his art.  And the caricature artist lets personal commentary filter through his exaggerated visual interpretation.

Hence, famous folks – primarily because they’re famous -- are often skewered by the barbed pen of the caricaturist. The “skewering” doesn’t have to be vicious, though.

Take this handful of notables who gave the world their talents to use in perpetuity…as drawn by talents of a different sort.


David Bowie by Tom Richmond, Prince by Phill Flanders.



Gene Wilder by Rich Conley, Elie Weisel by Alex Pereira.

         
Florence Henderson by Bill Utterback, Mohammed Ali by Digong.

___________________________________________________

Now we go from “looking back” to “looking from behind.” Here’s yours truly doing his thing, at a corporate event for a truck parts company.






  



See you again on the first Tuesday of next month, for another salute – posthumous or otherwise – to the colorful world of caricature art via Not Your Usual Caricature Artist.


Tuesday, December 6, 2016

Kids 'R Us

Used to be one of the best ways for getting “eyes” to focus on an advertisement, you used a child or a puppy.
They’re both still pretty popular subjects.  No less so for drawing caricatures.
Welcome to the Winter Solstice edition of Not Your Usual Caricature Artist.
Having a kids’ party – a birthday, bar/bat mitzvah, graduation, Sweet 16, prom gathering, holiday function or other?

A caricature is a uniquely customized way to capture the moment with personalized art you and your youngster will treasure always.
Here are “live” samples:








And here are display art samples, such as Bat/Bar Mitzvah Sign-In Boards:





As a new grandpa, I’m more attuned than ever to the treasures that children bring to our lives. Caricature art is one more way to celebrate them…

See you the first Tuesday of the New Year for another celebratory Not Your Usual Caricature Artist.

Tuesday, November 1, 2016

Steadfast Steadman

Years ago, I received a lovely gift, “The Art of The Times,” a collection of illustrations that accompanied editorial pieces in The New York Times. 

In it, there’s a fascinatingly wide swath of styles and approaches from many contemporary artists, as one might expect in a publication as culturally diverse as The Times.

One of the artists that caught my eye for his truly unique way with a pen is a Brit named Ralph Steadman

Welcome to the November edition of Not Your Usual Caricature Artist from Caricatures by Joel.

I frankly hadn’t thought of him in years -- since I first read the book. Until I was recently watching Anthony Bourdain do his culinary and travelogue thing on CNN, this time in England, and one of the local “colorfuls” he interviewed was Ralph Steadman.


Watching him work at his craft made me realize two things: One, I didn’t know he was still alive and, Two, he is truly an original, with a style both course and lyrical...and slightly nightmarish.

Is it caricature art, per se? I think his work defies categorization. But, as you can see, it’s riveting nonetheless.

From a website devoted to him and his work:

Born in 1936, Ralph Steadman began his career as a cartoonist and through the years diversified into many fields of creativity. Artist, writer, sculptor, cartoonist and designer, he has illustrated such classics as Alice in Wonderland, Treasure Island and Animal Farm. His books include the studies of Sigmund Freud and Leonardo da Vinci, while with Hunter S. Thompson he collaborated on the birth of GONZO journalism with his classic illustrations for Fear and Loathing in Las Vegas.




While I admire Steadman's one-of-a-kind approach to illustration, I am a more mundane subscriber to "traditional" representational (caricature) art.

Here are some samples of commissioned pieces, both new and old:









Thanks for checking in. See you again the first Tuesday of next month for another ink-stained edition of Not Your Usual Caricature Artist.

Monday, October 3, 2016

Frightfully Funny

Halloween is celebrated later this month. And not just by little kids trick-or-treating around the neighborhood for candy. It’s celebrated by our economy which, in 2015, saw Americans spending roughly $6.9 billion on costumes, decorations and, of course, the sweet stuff. 

Next to Christmas, Halloween is the biggest money generating holiday on our calendar.





Welcome to the October issue of “Not Your Usual Caricature Artist” from Caricatures by Joel.


Horror movies are a big part of the “fun” during this period, as well. And pull in some pretty big numbers on their own. The most profitable “horror film” (though maybe more of a “ghost” flick – a nuanced distinction) is “The Sixth Sense,” at $293 million. Number 2 is “Jaws” (though I considered it more of a gory adventure film) at $260 million. Number 3 is the original “Ghostbusters” at $242 million. Number 4 is “The Exorcist” with earnings of $232 million, followed by the horror comedy “Scary Movie,” at $157 million.

Horror films have been ripe for parodying and satirizing in humor magazines like Mad for decades. Assisting in bringing these fright flicks down a peg or two from their scary perches are the caricature artists who have illustrated these fun pieces. 

Artists like one of my very faves who, just a couple of months ago, passed away -- Jack Davis, (art at the top), with his take on Universal Pictures icons Frankenstein, Dracula, Creature from The Black Lagoon and The Invisible Man.

And then there's product of the UK Paul Garner, with his version of Bela Lugosi's Dracula and Silent Screen star Lon Chaney, Sr.'s vampire:



The great Mad (among other media outlet pubs) artist Tom Richmond is featured here with yet another vampire, German Silent Screener Max Schreck's "Nosferatu."

Here's artist Cowboy-Lucas's rendition of horror superstar Vincent Price:




Now I don't have any works depicting horror movie stars... But I do have caricatures done of kids and adults enjoying, respectively, a Halloween party at Trump National Golf Club, and a Halloween-themed wedding reception!









Join us again the first Tuesday of next month for another bone-chilling edition of Not Your Usual Caricature Artist from Caricatures by Joel.